My prints are made before a live model, responding with unhurried, deliberate mark-making to poses I have no say in, within an environment entirely unrehearsed and open to chance. 

I use monoprint techniques to layer time rather than tell a straightforward story, leaving images that feel like discovered relics. Rendered in fluid, minimal linework, sometimes broken, sometimes bold, these fragments explore what can be known at the edges through careful, patient, and imaginative observation.